Mark & Shelley with daughter IndiaRandom is located in Hillside Village, a Lakewood shopping destination featuring various stores and restaurants such as Stein Mart, Tuesday Morning, Fuzzy's Taco Shop and the ever popular Lakewood 1st & 10 bar and grill.
Random
6465 East Mockingbird Lane #366
Dallas, TX 75214
P: 214-827-9499
F: 214-827-9504
E: info@shopatrandom.com
By 1887, another American, Emile Berliner (a German immigrant to the U.S.) filed a patent for a recording system based on a flat disc instead of a cylinder. This was a very significant development because the new discs were much easier to mass produce than the cylinders that they replaced. This was important in making the technology available to a wide market.
By the turn of the century the industry had begun to settle on a diameter of 10 inches for the new format. The rotational speed varied somewhat from one manufacturer to another, but most turned at between 75 and 80 revolutions per minute and most 'Gramophone' machines were capable of some adjustment. The name 'Gramophone' began as a Trademark for Berliner's new invention, but Europeans adopted it as generic while Americans continued to use the term 'Phonograph'. One popular theory for the choice of 78 rpm is arrived at from calculations based on the rotational speed of synchronous electric motors and achievable gear ratios. This is neither technically sound nor supported by historic evidence. It is far more likely that a speed of around 78 rpm simply proved the best compromise from empirical results with the materials and technology available at the time.
Various materials were used for manufacturing the earliest discs, but shellac (a resin made from the secretions of the lac insect) was found to be the best. Shellac is a natural thermoplastic, being soft and flowing when heated, but rigid and hard wearing at room temperature. Usually a fine clay or other filler was added to the 'mix'. However, by the 1930s the natural shellac began to be replaced by equivalent synthetic resins.
All of the earliest 78 rpm recordings were single sided, but double sided recordings were introduced firstly in Europe by the Columbia company. By 1923, double sided recordings had become the norm on both sides of the Atlantic.
The 78 rpm disc reigned supreme as the accepted recording medium for many years despite its tendency to break easily and the fact that longer works could not be listened to without breaks for disc changes (at 5 minute intervals for 12" discs).
In 1948 the Columbia company had perfected the 12" Long Playing Vinyl disc. Spinning at 33 rpm the new format could play up to 25 minutes per side. This new record medium also had a much lower level of surface noise than did its older shellac cousin. However, Columbia's big rival, RCA Victor then produced the seven inch 45 rpm vinyl disc. These could hold as much sound as the 12" 78 rpm discs they were to replace, but were much smaller and attractive.
 | Here is what RCA Victor's original 45 looked like. This image was kindly supplied by Jules Woodell who manages the Record Collector's Glossary Note the large centre hole which needs an adaptor to make it fit a regular UK style spindle was already a feature and that coloured vinyl was not such a novelty in the 1940s!
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To find out what the top album covers of all time the non profit Vinyl Record Day (VRD) sought out public opinion rather than a panel of judges. Tallying submissions received through the VRD web site and radio stations around the US, the results were as diverse as the art form itself. Hundreds of titles were named. The Top Ten below represent one definite conclusion of the poll; it proved once more art is in the eye of the beholder.
Considering there were hundreds of titles submitted it's a little surprising a top vote getter did surface, but the Beatles Sgt. Pepper led all others as the top album cover of all time. Proving record sales aren't a factor when it comes to appreciating cover art, the next highest vote went to Herb Alpert's, Whipped Cream and Other Delights. The Beatles sold over 11 million copies of their record; Herb's sold just 500,000 copies. Yet ask a solidly Baby Boomer male to name a couple of all time favorite album covers and you can bet you'll see that gleam in the eye as you hear a tale of the girl in whipped cream long before you hear about those Beatle jackets.
As a group, multiple titles in the catalog of Journey and the Stones ranked high in having some of the best cover art. Journey's Escape cover with the bolting sun ship was a favorite as was the group's Evolution cover. The Stones, the only music artists with two LP covers in the top ten had Sticky Fingers, Tattoo You, and Their Satanic Majesty's Request named as some of the group's best cover art work.
Other group's whose catalog was recognized for its cover art work are Led Zeppelin, Rush, and Queen. Other Beatle favorites named include Revolver, Rubber Soul and the anti cover, the Beatles White Album.
Though Rock ruled, voters did not limit their choices to this single genre or era. Jazz great Miles Davis' "Bitches Brew", with its strange flow of bright colors turning into faces was a favorite as were the dark and sultry covers for Henry Mancini's Mr. Lucky and Peter Gunn soundtracks. Also cited as among the best covers of all time were the Classical music album covers of the father of Album Cover Art, Alex Steinweiss.
With selections by orchestra leaders such as Acquavira, Al Sack and Bob Hurd, the poll showed an artist's or group's popularity was not a factor in selecting the greatest album covers of all time. Poetic titles weren't required either as Frank Zappa's Weasels' Ripped My Flesh, Hair of the Dog from Nazareth, and Best Dressed Chicken in Town from Dr. Alimantado were also named as best album covers.
Oddities were popular as the paper panties of Alice Cooper's School Out, the unusual shaped covers of the Stones, Traffic and others, and Jimi Hendrix' harem of topless beauties on the European release of Electric Ladyland, a cover banned in the US, were all submitted as aficionado favorites.
Honorable Mentions; great album covers not forgotten include Frank Sinatra's In the Wee Small Hours and daughter Nancy's Boots with the controversial linear notes. Santana's Abraxax, Art Crum's cartoon cover on Janis Joplin's Cheap Thrills, London Calling, the Clash's updated version of the first Elvis album cover were deemed among the classics of Album Cover Art. Jimi Hendrix, Iron Maiden and Journey received "Any of them" votes. Lounge covers as represented by the Jackie Gleason covers of hot blondes with cigarettes and martinis were a favorite genre as well as the YES covers of Roger Dean.
Many voters went beyond just listing their favorite LP covers as the personal connection to their nominations was significant to why the selections were made. Participants cited remembering carefully placing the new gleaming black record on the turntable then analyzing for hours with great fascination the covers that were shining examples of visual art. Other voters made their selections entirely on emotion; they were favorites because of the link to exact moments in one's life; what they were doing, where they were or who they were with when they first saw the covers, an experience completely separate from listening to the music.
Whether we relate a personal experience to it or not, the art form uniquely portrayed who we were, we saw ourselves reflected back to ourselves in ways that no other medium could attempt. With limitless creative boundaries Album Cover Art depicted fifty years of each era's fashion, life styles and social values. Rembrandt, not the group, would be proud.
